Brow arches, lip tones and fine lash lines. Which details would you like to see on your own face?
The hairs at the front point in different directions in the first photograph; the brow has a more defined boundary in the second.
Your choice: a softer start or a fuller appearance across the brow? Compare hair strokes and shading during the preliminary design.
Selected photographs from earlier Ergül Keskin studio work. They are not presented as work by the Marbella team; every face is different, and your own design is discussed at your consultation.
Treatments in MarbellaThe pale lips in the first photograph have a pink tone and a clearer outline in the second.
Whether to define only the outline or also change the inner colour is discussed at the consultation.
The upper lashes point downwards in the first photograph and curve upwards in the second. The visible change is their direction.
Changing the curl of the lashes and adding a line to the eyelid are different choices. Discuss lash lifting and eyeliner with this distinction in mind.
Selected photographs from earlier Ergül Keskin studio work. They are not presented as work by the Marbella team; every face is different, and your own design is discussed at your consultation.
From earlier studio work
In this archive photograph, a dusty rose tone extends from the lip border across the inner area. At your consultation, discuss defining only the outline or changing the inner colour too.
Selected photographs from earlier Ergül Keskin studio work. They are not presented as work by the Marbella team; every face is different, and your own design is discussed at your consultation.
From earlier studio work
The dark line follows the upper lashes and tapers at the outer corner. Compare the thickness and ending of a fine lash line and a more defined eyeliner during the preliminary design.
Selected photographs from earlier Ergül Keskin studio work. They are not presented as work by the Marbella team; every face is different, and your own design is discussed at your consultation.
Options you can discuss for brows, lips and eye line.
At the start of a brow the hairs stand up; towards the tail they lean out. We follow that change when we draw the arch.
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The two curves at the centre of the upper lip guide the drawing. We can keep the border soft and carry the colour into the lip.
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Colour between the lashes gives the roots definition. If you want a line on the lid too, we try different eyeliner widths in the drawing.
Explore the treatment
